How do intersecting themes of power and artifice reflect a rise in the discourse of Sensibility in novels of the eighteenth century

How do intersecting themes of power and artifice reflect a rise in the discourse of Sensibility in novels of the eighteenth century? Closely compare and contrast Choderlos de Laclos’s Les Liaisons dangereuses (1782; English translation 1784) with Maria, or The Wrongs of Woman (1798).

Referencing should done through the microsoft tool in this format: Todd Berliner, Hollywood Incoherent: Narration in Seventies Cinema (Texas: University of Texas Press, 2010) p54.

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